Kat Flyn
 The Great American Pastime
 Ghost Portraits
 Protest Art (1970's)
 Collaboration w/ John Fitzsimmons
 Sold Artwork


Strictly speaking I am an assemblage artist, but in fact I construct more than assemble my works. I search out collectables, artifacts and wood carvings and then build scenes to make statements regarding American society. Even when using artifacts from earlier centuries, my theme is almost always about contemporary America. Social injustice, racism, sexism, and violence - aspects of our national psyche – exist in the present but have their seeds planted in our past. Additionally, the artifacts I use, often are meant to amplify the meaning of the work. For instance, the Black stereotype wood figures I use in many of my pieces were almost certainly crafted by a White person. By using such artifacts I ask: what kind of society produces such items in the first place?

In my art I make a strict distinction between found objects and saved objects.. A found object - which most assemblage artists use in their works - is devoid of intrinsic or emotional value, having been discarded by its owner as worthless or broken. A saved object on the other hand has retained value, either because it was intrinsically valuable or because emotional value had been added to it (such as a photograph, an old shoe, a vintage toy) or for various reasons it has become collectible and consequently it was saved rather than discarded. The fact that I only use “saved objects” often results in viewers being attracted to the individual pieces within my works rather than seeing the narrative I am attempting to portray.
If you are interested in learning more about the artist, please contact:
Kat Flyn
Email: click here
©2017 Kat Flyn. All rights reserved.
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